Time and location: MWF 10:40 - 11:30 am via Zoom (link in the syllabus)
Office hours: MW 1:00 - 2:00 pm via Zoom (link in the syllabus)
Office location: 527B HRBB
Email: nimak@tamu.edu
Piazza: link in the syllabus
Computational photography is a collection of computational algorithms and system designs (e.g., sensors, optics) to avoid the limitations of standard cameras and enable novel applications. In recent years, there has been increasing interest in computational photography because of the widespread use of the cameras by the general public through smartphones and other cheap imaging devices. In this course, we first discuss the cameras and the image formation process. We then study basic image and video processing tools like sampling, filtering, and pyramids. Finally, we discuss several image-based algorithms, such as image retargeting, high dynamic range imaging, and texture synthesis.
Undergraduate: (CSCE 315 or CSCE 331) and (MATH 304 or MATH 311)
Graduate: Graduate students are expected to have similar background.
The primary reference of the course is the following book, which covers most of the topics related to computational photography:
Computer Vision: Algorithms and Applications, by Richard Szeliski, 2010
You will lose 20% from each assignment for each day that it is late. However, there will be 5 granted late days for the entire course. You are free to use it for any of the assignments (note that, you CANNOT use it for the final project!). You will not get any bonuses for any of the unused late days. All the assignments are due at 11:59 pm on ecampus unless otherwise stated. Note that, one minute over and 23 hours over both count as one full day.
The assignments in this class are individual unless otherwise stated. For the individual assignments, all the codes need to be written by the student. If indicated in the assignment’s instruction, the use of external libraries for performing basic operations is allowed. However, using an outside source code is NOT permitted. Moreover, collaborating with other students on assignments beyond general discussions is NOT allowed. In general, looking at other students’ code and/or written answers is NOT allowed. If the students have any questions regarding this issue, they should contact the instructor. The students should not post their code online even after the deadline for the assignment has passed.
Date | Topic | Slides | Reading | Assignments |
---|---|---|---|---|
Jan 20 | Introduction and Overview | pptx | Szeliski Ch. 1 | |
Jan 22 | Camera and Image Formation | pptx | Szeliski Ch. 2 | HW 1 Out |
Jan 25 | Camera and Image Formation | See above | Szeliski Ch. 2 | |
Jan 27 | Camera and Image Formation | See above | Szeliski Ch. 2 | |
Jan 29 | Camera and Image Formation | See above | Szeliski Ch. 2 | HW 1 Due |
Feb 1 | Color | pptx | Szeliski Ch. 2.3.2 | HW 1 Due |
Feb 3 | Color | See above | Szeliski Ch. 2.3.2 | |
Feb 5 | Color | See above | Szeliski Ch. 2.3.2 | HW 2 Out |
Feb 8 | Sampling and Filtering | pptx | Szeliski Ch. 2.3.1 & 3.2 | |
Feb 10 | Sampling and Filtering | See above | Szeliski Ch. 2.3.1 & 3.2 | |
Feb 12 | Sampling and Filtering | See above | Szeliski Ch. 2.3.1 & 3.2 | |
Feb 15 | Canceled | |||
Feb 17 | Canceled | |||
Feb 19 | Canceled | |||
Feb 22 | Frequency Domain | pptx | Szeliski Ch. 3.4 | |
Feb 24 | Pyramids | pptx | Szeliski Ch. 3.5 | |
Feb 26 | Pyramids | See above | Szeliski Ch. 3.5 | HW 2 Due |
Mar 1 | Blending and Compositing | pptx | Szeliski Ch. 9.3 | HW 3 Out |
Mar 3 | Blending and Compositing | Szeliski Ch. 9.3 | ||
Mar 5 | Point processing and Image Warping | pptx | Szeliski Ch. 3.1 & 3.6.1 | |
Mar 8 | Point processing and Image Warping | See above | Szeliski Ch. 3.1 & 3.6.1 | |
Mar 10 | Homographies and Mosaics | pptx | Szeliski Ch. 9.1 | |
Mar 12 | Automatic Image Alignment and RANSAC | pptx | Szeliski Ch. 4.1 & 6.1.4 | |
Mar 15 | Automatic Image Alignment and RANSAC | See above | Szeliski Ch. 4.1 & 6.1.4 | HW 3 Due & Final Project Out |
Mar 17 | Stereo | pptx | Szeliski Ch. 11 | |
Mar 18 | Stereo | See above | Szeliski Ch. 11 | |
Mar 19 | Spring break - No Class | |||
Mar 22 | Modeling Light and Lightfields | pptx | Szeliski Ch. 13.3 | |
Mar 24 | Modeling Light and Lightfields | See above | Szeliski Ch. 13.3 | HW 4 Out |
Mar 26 | Midterm Exam | |||
Mar 29 | Image Retargeting | pptx | Avidan | |
Mar 31 | Image Retargeting | See above | Avidan | Proposal Due |
Apr 2 | Reading Day - No Class | HW 4 Due & HW 5 Out | ||
Apr 5 | Image Morphing | pptx | Szeliski Ch. 3.6.2 & 3.6.3 | |
Apr 7 | HDR & Tonemapping | pptx | Szeliski Ch. 10.2 & Debevec | |
Apr 9 | HDR & Tonemapping | See above | Szeliski Ch. 10.2 & Debevec | HW 6 Out |
Apr 12 | HDR & Tonemapping | See above | Szeliski Ch. 10.2 & Debevec | HW 5 Due |
Apr 14 | Video Textures | pptx | Szeliski Ch. 13.5.2 & Schodl | |
Apr 16 | Texture Synthesis and Filling | pptx | Szeliski Ch. 10.5 | |
Apr 19 | Image Analogies and Scene Completion | pptx | Hertzmann, Hays | |
Apr 21 | Canceled | HW 6 Due | ||
Apr 23 | Image Analogies and Scene Completion | See above | Hertzmann, Hays | |
Apr 26 | Coded Exposures and Apertures | pptx | Raskar, Levin | |
Apr 28 | Coded Exposures and Apertures | See above | Raskar, Levin |
*Schedule might change during the semester.
The slides in this class are heavily based on the slides from other instructors. Specifically, many slides are the exact or modified version of the slides by Alexei A. Efros, James Hays, and Rob Fergus, who in turn have used materials from Steve Seitz, Rick Szeliski, Paul Debevec, Stephen Palmer, Paul Heckbert, David Forsyth, Steve Marschner, Fredo Durand, Bill Freeman, and others, as noted in the slides. The instructor gives full permission to use these slides for academic and research purposes, but please maintain all the acknowlegements.